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In the Warsaw
theatre, "Eldorado," on Smocza [Smotsha], there
is now appearing an operetta called "Leybke
mazik." I was intrigued by this theatre because
it is located in the center of Jewish poverty,
in the heart of the vast, obscure Jewish masses.
I have visited
this theatre several times, and I maintain that
one should not ignore the public who come there,
and not the Yiddish actors, who try to indulge
in a little bit of fun in order to arouse a
little of the ferocious ... of the defeated,
darkened "Moses." I believe that when the actors
of this kind of theatre "do" their work
perfectly, when they conscientiously fulfill the
task assigned to them, when they strike at the
primitive, sentimental struggle of the specific
"Eldorado" audience and awaken in them, to a
certain extent, feelings of primitive goodness
and human honesty -- when they do this, they are
doing good and should not be dismissed.
Everybody needs to be in a position to do their
best. And when Weintraub's "Eldorado" Theatre
has, instead of the "sensational" beats of a
certain type and of a specific smell, again
taken to behaving in pure, innocent operettas of
the ancient fashion, without pretensions of art
but just so as to dispel the bitterness a little
in order to entertain the world, one may say a
few words about it even in public ...
-- by
Elchanan Zeitlin, Forverts, January 28,
1935.
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