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When Mogulesko came to
America together with the Yiddish troupe from
Romania, B. went along with them, without the
knowledge of his parents and afterwards traveled as
such to Iasi, Czernowitz, Lemberg, Hamburg and
secretly ensconced himself on the ship.
In 1886 he came to
America, and at first he became a chorus singer, and
he became a member in the chorus singer's union, and
occasionally also performed with the chorus.
Inspired by Mogulesko
to become an actor, B. performed for a time for
Thomashefsky (who had become ill) in the singing
role "Kroynprints aleksander (Crown Prince
Alexander)," but T.'s "fans" received pnim B.
with popular epl K.'s "fans." At other times
B. performed for Kessler (who had become ill) in
Sharansky's "Kol Nidre" and received a similar
acceptance from K.'s "fans."
For five years B. was
a chorus leader and acted at the same time in
various roles, but initially in 1897 he acted as "Di
tuv'h nyv" in Lateiner's "Dovid's fidele (David's
Violin)," where he also caught the attention of the
critics and subsequently became engaged in the
theatre, in which he acted in the Gordin repertoire.
B. was the first to
create the following Gordin characters: "Khatzkl
Drakhme" in "Got, mentsh un teyvl (God, Man and
Devil)," "Tuviya habiyuni" in "Elisha ben abuya," "Melbyal
Garber" in "Der meturef (The Worthless)," "Boris
Stavropolsky" in "Sappho," "Shmuel Ashkhenazi" in
"Der unbakanter (The Unknown)," et al. He also
created entire roles in Kobrin and Libin's
repertoire.
For around eight years
B. traveled around across the American provinces
with plays, especially written for him by
Solotorefsky, Siegel, Wolf, et al. From 1920-1922 B.
was engaged as the first actor at the Arch Street
Theatre in Philadelphia.
In 1922 B. acted at
the National Theatre (Managers Saks and Louis
Goldberg).
In 1926 B. went over
to the Liberty Theatre and from there to the Public
Theatre (Managers Louis Goldberg and Nathan
Shulman), where he also performed in several
melodramas and Z. Libin's drama "Kinder fargesn
nisht (Children Don't Forget)." Since 1928 B. has
guest-starred again across the American province in
his own repertoire.
B. was a co-founder of
"The Hebrew Actor's Protective Union of America"
(1899).
In the "Forward" (5
October 1928 -- 29 January 1929), B. published
[partly under anonymous editors, and partly with the
editing by M. Osherowitch] thirty-three long
articles of memories about Kessler, "Prof." Hurwitz
and Mogulesko.
B.'s son, Benjamin,
writes compositions for Yiddish operettas and
married the actress Betty Frank, the daughter of the
actor Jacob Frank.
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B. Gorin -- "Di
Geshikhte fun idishn teater (The History of the
Yiddish Theatre)," Vol. II, pp. 35, 161.
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Leon Blank -- (Memvarn
vegn kesler, hurvits un mogulesko), "Forward," 5
October 1928 - 29 January 1929.
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B. Botwinik --
Leon Blank iz alt gevoren fuftsik yohr,
"Forward," 22 November 1918.
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Alter Epstein
-- Interesante momentn fun aktyoren lebn, "Der
tog," N. Y. 16 June 1918.
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B. Botwinik --
Leon Blank, "Der veker," 8 January 1927.
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H. Lang -- Vi
azoy leon blank iz gevoren an aktyor, "Forward,"
19 April 1925.
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H. Ehrenreich
-- Leon blank iz itst zebtsik yohr alt,
"Forward," 10 June 1927.
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A. Frumkin --
Der krizis dos zenen mir di start -- zogt leon
blank, "Morning Journal," N. Y., 17 February
1928.
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B. Weinstein --
"Di idishe yunions in amerika," N. Y, p. 129.
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