Joseph
Rumshinsky Tells About
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"Yoshe Kalb" was a Hasidic spectacle. It had everything from the Nyeveshe rabbi. It had all the virtues that a successful play needed to have. It was exciting, interesting, a production for the eye and for warm Yiddish melodies, and for genuine Hasidic dance. The tragedy and comedy with the production was as one. "Yoshe Kalb" was played in the time when the banks were closed. People could not raise enough money for their possible needs, but at the production of "Yoshe Kalb," it was packed. The question everyone asked: "What's next?" What can Maurice Schwartz produce after such a colossal success, like "Yoshe Kalb"? Is not everything God a Father and when he wants to ... keep it from door and gate. The same I.J. Singer wrote a novel, "The Brothers Ashkenazi," which was no smaller success than "Yoshe Kalb" as a novel in the "Forward," and for the theatre "The Brothers Ashkenazi" was even more popular than "Yoshe Kalb," because they immediately translated it into English. The "Forward" readers and those who read the novel in English, filled the Yiddish Art Theatre for months. "The Brothers Ashkenazi" was the second production of Maurice Schwartz staged from a novel. In "The Brothers Ashkenazi" the lives of the Jews of Lodz at the time [were portrayed]. Lodz then was a small Paris. It swelled and groped with two kinds of Jews: The German Jew and the Hasidic Jew -- The German Jew, so-called, was the one who wore modern clothes, without payes, with a short coat, who prays not three times a day, not even once, except in the case of terrible horrors. In the "Brothers Ashkenazi" there is a struggle between the twin brothers, Max and Jacob Ashkenazi -- one a Hasid, the second a German, although both were born and raised in Poland. It is reflected in the "Ma-Yafit Jew," who pushes towards the Polish hervalye and Polish militarists. The second life is his Hasidic atmosphere. The two brothers are artistically played by Maurice Schwartz and Samuel Goldinburg. They have conflicts, scenes that this theatre used to squeak with excitement. Singer, knowing well the lives of these Lodz manufacturers, portrayed the entire novel true and realistic, and the two brothers -- Schwartz and Goldinburg -- artistically divided both of the twin-brother roles. A great number of non-Jews, who had read the novel in English, used to come to the performances of "The Brothers Ashkenazi." I.J. Singer wrote a new novel that portrayed the fiery, mourning days of Hitlerism, "The Family Carnovsky." |
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Maurice Schwartz as the
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As a novel in the "Forward," it was a great success, but when Maurice Schwartz performed it, only then did the whole thing, the entire tragedy, "The Family Carnovsky," receive its fix. In "Family Carnovsky" Maurice Schwartz showed how to stage a modern drama, in which he played a Jewish doctor in Berlin, who Hitler had let the doctor and his family know that they are Jews. Schwartz brought life into Singer's novels with his stage direction and play. The blessed, talented writer I.J. Singer and Maurice Schwartz were a successful combination. |
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