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A History of The Folksbiene
 

The Big Winner
by Sholem Aleichem

1988-1989 Season

Central Synagogue Auditorium
123 East 55th Street
New York, NY

 

 

 

Synopsis

Act I Scene One

It is morning in the household of the tailor Shimele Soroker. His two apprentices, Motl and Kopl, are hard at work readying an outfit for a fitting. They are both in love with Beylke, Shimele's beautiful daughter.

Motl is concerned about Shimele's prolonged conversations with the matchmaker Soloveytshik. Kopl reassures him that their conversation is probably about the rent. Motl is not convinced. In fact, he even suspects that Solomon Fein, the landlord's highfalutin son, is having his suit made by Shimele, also because of Beylke.

Motl notices Koltun, the landlord's crass agent, pester Beylke in the street and becomes annoyed. He urges Kopl to draw lots to determine who will get Beylke. She walks in unexpectedly and pokes fun at their childish game. She tells them that her father has a real lottery ticket and that the drawing is today.

Eti-Meni, Shimele's wife, returns from the market. She complains that Koltun has been bothering her for the rent. Shimele enters in high spirits, checks his watch and declares that they are still only working class "folk, "Amkho," and sends everyone back to work.

Solomon Fein arrives for his fitting and discovers that the rent has not been paid. He becomes enraged and preaches on the morality of paying rent on time, all the while eyeing beylke. Shimele assures Solomon that the rent will be paid. Motl exclaims that there will come a day when there will be no more landlords and no rents. Solomon indignantly replies that until that day comes, rent must be paid. He then exits.

Shimele sends Beylke to the bank. Nineteen years ago Shimele acquired a lottery ticket and today is the drawing. He knows he will win. Eti-Meni ridicules his aspirations to become rich, but Shimele is adamant that he will win. He had a dream about a tree with golden coins that grew in the middle of their room.

Meanwhile, Koltun comes looking for Beylke. Shimele is furious because Beylke is the "apple of his eye," and he wants nothing further to do with a louse like Koltun. Koltun then threatens to throw Shimele, his family and his potatoes out of the apartment. Bu Kopl grabs Koltun by the collar and pushes him out of the door.

Perl, the miller, excitedly rushes in. She has heard that Soloveytshik is bringing money to the tailor, and she wants to be paid first. Soloveytshik enteres and tells Shimele about a great match he has in mind -- a great "combination" -- a husband and an apartment! When Shimele realizes that the "combination" includes Koltun, he calls Kopl to throw the matchmaker out. At that exact moment, Beylke and Motl return excited. Shimele has won he lottery -- the big 200,000. Everyone gathers to congratulate the tailor and offer their services. Shimele's dream has come true; he is now a rich man.

Act 1 Scene Two

Two weeks later, we find the Soroker family trying to cope with their new social and financial status. Beylke refuses to eat at the same table as Koltun, who has taken it upon himself to educate the family  in ways aristocratic. Eti-Meni begs her daughter to eat, but Beylke refuses. She cannot tolerate Koltun's presence, his meddling, and his scheming. Eti-Meni suggests that she talk to her father. Since he won the lottery, he seems to have lost his head. He has become totally reliant upon Koltun.

Mendl, the servant, announces Motl and Kopl. They have come to fit Shimele for a new coat. Motl has hard rumors that Beylke has been matched with Solomon Fein, but he hopes that they are unfounded. Beylke is glad to see them and confesses that she is very unhappy. Koltun and Shimele greets the apprentices and invites them to have a drink. Left alone with Beylke, Koltun proceeds to pester her. She ignores him and runs to her room.

Motl, Kopl and Shimele return. Motl searches for Beylke. Shimele explains that Beylke is going to be married soon. Koltun is indignant over Motl's interest in Beylke, Shimele puts Koltun in his place and then tries on his coat. To his chagrin, he discovers a big bulge in the back of the coat and reprimands his apprentices for their poor workmanship. Motl blames Kopl for the faulty cut, but Kopl quickly saves the situation by remarking that at the measuring two weeks ago, Shimele had a slight hump, but it is now gone. Shimele, happy with his new straight back, invites them to come back soon, and he bids them goodbye.

He calls Eti-Meni and tells her to prepared a big meal for very important guests, Asher Fein and his family, who are visiting this evening. Shimele then asks Beylke to read some of the letters he has received from needy people. Eti-Meni complains that he will squander his fortune on other people, but Shimele reassures her that there is enough for everyone. God gave it to him so that he can perform good deeds.

Soloveytshik, the matchmaker, excitedly rushes in. He has just been at the Fein's home and Usher Fein insisted that the Sorokers visit his home first. Shimele and Eti-Meni put on their finery and depart for the Feins.

Act II Scene One

The same day in the early evening, Perl the miller has come to deliver bread. She sees Beylke with a compress on her head and asks why. Beylke asks Perl what she would have done if her parents forced a husband on her. Perl tells her that she had no say in her own marriage. In spite of this, she had a very good life with her husband.

Kopl and Motl arrive to visit Beylke. Mendl informs them that since she will be writing her wedding contract that evening, and she cannot be disturbed. Motl bribes Mendl. Beylke overhearing the squabble, orders Mendl to leave. She tells the boys that she cannot tolerate the situation any longer. Motl and Kopl understand her predicament and offer to help her run away from home. She accepts their offer, just as her parents arrive home from the Feins. Beylke asks the boys to come back later and instructs them to leave through the kitchen. Not knowing where the kitchen is, Motel and Kopl hide in Eti-Meni's bedroom.

Eti-Meni enters her bedroom to remove her had and comes out with the two apprentices. Simele tells them that they are, of course, always welcome. However, tonight he is very busy because he is going to make a deal that will turn Kasrilevke upside down -- a real "combination" The boys leave.

Mendl informs them that Beylke is not feeling well. Soloveytshik worries that she will spoil his "combination." The Feins arrive. They demand to see "the daughter" to make sure she doesn't have horns. While Shimele gets Beylke, Usher Fein, Solomon, Koltun and Soloveytshik scheme to heat Shimele out of his money. Shimele returns with Beylke, who apologizes for not feeling well. Solomon makes romantic overtures. Angred by Solomon's duplicity, Beylke reminds him of the time when he lectured them n the virtue of paying rent and then stormed out of the room. Madame Fein is indignant. "Who does she think she is!" Eti-Meni assures her that Beilke knows who she is. She has not forgotten the hard times -- when Koltun forced them to pay rent whether they had the money or not. Asher Fein asks Shimele how he plans to collect the rent when he becomes the landlord.

Shimele is caught by surprise. Koltun was supposed to have explained that the apartment would be rented to poor people who would pay rent only if and when they could afford it.

Goldenthaler, the bank teller, arrives. He announces that there was a mistake in the drawing and that Shimele's ticket did not win after all. It was discovered that Shimele's ticket is missing a zero. Shimele is beside himself. The Feins leave. Solomon asks Koltun to start collecting their rent again. Shimele tries to stop everyone to no avail. Mendl rushes in to announce that Beylke has run away from home. Soloveytshik is crushed. His whole "combination" had gone down the drain. Shimele's dream is shattered.

Act II Scene Two

Later that same evening Beylke, Motl and Kopl discuss what to do. Beylke wants to go to her aunt, but Motl is worried about her traveling alone. Motl doesn't know what to do. Kopl goes to get a carriage. Alone with Motl, Beylke remarks that her old home is well-maintained. She concludes that Kopl must have been keeping house. A dejected Motl resolves that if that is so -- that if she loves Kopl -- then he no longer wants to live. Beylke, happy that Motl has finally confessed his love for her, tells him that she ran away from home because of him. Kopl returns to find Beylke and Motl kissing. He is disappointed but relieved -- no more drawing lots.

Shimele, Eti-Meni and Soloveytshik enter. Beylke apologizes for running away, but she explains that she had no other choice. The lottery money made her whole life miserable. Soloveytshik tells her that she doesn't have to worry anymore. The lottery money is gone. Motl and Kopl are happy. Shimele asks if they will accept him as their boss again. They reply that they would be honored to have him back. Shimele now realizes that Beylke has chosen Motl to become her husband, but she informs Motl that she is a poor bride now. Motl exclaims that for him, Beylke is the greatest treasure. Shimele is glad to rejoin the working class. He had a taste of the "good life" and discovered that hit wasn't that "good" after all. He is more than happy to return to the life of dreams and hopes.

-- synopsis by Rina Elisha.


 

A review of this play appeared in the New York Times, November 3, 1988:

Evergreen Aleichem
by Richard F. Shepard

Yiddish theater, whose death has been proclaimed regularly for at least the last quarter of a century, started a new season over the weekend -- as it has every year for a century and more. The sturdy and persistent Folksbiene Playhouse opened its colorful and humorous presentation of Sholom Aleichem's comedy with music, "The Big Winner," in the comfortable auditorium of Central Synagogue, 123 East 55th Street.

In keeping with its loving attention to "mama loshn," the mother tongue, the Folksbiene works in Yiddish from start to finish. For those to whom Yiddish is an impenetrable as Cretan Linear B, devices that carry an excellent line-by-line translation maybe be rented. For those awash in the mixture called Yidlish, the challenge is to keep one earpiece on the English and the other off for the original. Sholem Aleichem in the original can be difficult, but he is worth the effort for the sheer enjoyment of those turns of phrase that are verbal accompaniment to shrugs and rising inflections.

"The Big Winner" is about a poor tailor who wins a lottery and is sky-rocketed to riches and distinction, a situation that complicates the romantic inclinations of his daughter. But plot is merely framework with Sholem Aleichem. It's the trimmings that count, and the trimmings in "The Big Winner" are delicious commentaries on life and mores in his favorite fictional town, Kasrilevke. his characters are caricatures; but infused with humanity and affection, they are much more than that.

David Rogow eloquently plays the simple tailor who is bemused by his good fortune to the point of Russifying his Yiddish name, but who intends to use his money to supply affordable housing to the needy. When it's learned that the ticket was in error, and that he remains poor, he shrugs and says, "Another dinner with a roast duck is not what life is all about."

Zypora Spaisman, as the tailor's wife, and Mina Bern, as the overweening landlord's catty wife, are a truly comic pair. The entire cast, directed by Rina Elisha, runs through this handsome stage adaptation with energy and taste. The music and lyrics are mostly the work of the actors, but Tal Kaplun, as the klezmer, brings a special nostalgic flavor to this jolly performance with his clarinet.

Michael Krauss and Richard Carlow are almost lovable as the lovesick tailor apprentices, while Amy Gordon is attractive as the daughter. Sandy Levitt, as the landlord's spoiled son, can raise a chuckle with his portrayal of a Kasrilevke fop who sprinkles his Yiddish with French. I.W. Firestone brings a special Yiddishkayt to the footlights as an old-fashioned, deal-making matchmaker. Others in this large cast all contribute to a performance that is handsomely staged on James Feng's stylized shtetl setting.

"The Big Winner" is, as this moment, the only Yiddish show being offered in Manhattan this season. Yiddish theater may not be rising, Phoenix-like, from the ashes, but there are still embers to warm us.

 
 

From the left: Amy Gordon, Zypora Spaisman, Mina Bern and David Rogow
Courtesy of YIVO.


 


 

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